The Italian film critic Francesco Puma described the film as "ambiguous, crepuscular and uneasy" and as a Eurospy version of The Late Mattia Pascal.[2]
References
^Roberto Chiti; Roberto Poppi; Enrico Lancia; Mario Pecorari (1991). Dizionario del cinema italiano. I film. Gremese Editore, 1992. ISBN8876055932.