Constance Talmadge
Constance Alice Talmadge (April 19, 1898 – November 23, 1973) was an American silent film star. She was the sister of actresses Norma and Natalie Talmadge. Early lifeTalmadge was born on April 19, 1898, in Brooklyn, New York, to poor parents, Margaret L. "Peg" and Frederick O. Talmadge. Her father was an alcoholic, and left them when she was still very young. Her mother made a living by doing laundry. When a friend recommended Talmadge's mother use older sister Norma as a model for title slides in flickers,[clarification needed] which were shown in early nickelodeons, Peg decided to do so. This led all three sisters into acting careers.[1] CareerShe began making films in 1914, in a Vitagraph comedy short, In Bridal Attire (1914). Her first major role was as the Mountain Girl and Marguerite de Navarre in D.W. Griffith's Intolerance (1916). Griffith re-edited Intolerance repeatedly after its initial release, and even shot new scenes long after it was in distribution. Grace Kingsley found Talmadge in her dressing room at the Fine Arts Studio, in Los Angeles, in the midst of making up for some new shots. "Did you really drive those galloping brutes of horses?" asked Kingsley. "Indeed I did," said Talmadge. "Two women sat behind me at the Auditorium the other night. They said, 'Of course she never really drove those horses herself. Somebody doubled for her.' Know what I did? I turned around and told them, 'I wish I could show you my knees, all black and blue even yet from being cracked up against the dashboard of that chariot!'" [citation needed] So popular was Talmadge's portrayal of the tomboyish Mountain Girl, Griffith released in 1919 the Babylonian sequence from Intolerance as a new, separate film called The Fall of Babylon. He refilmed her death scene to allow for a happy ending. Her friend Anita Loos, who wrote many screenplays for her, appreciated her "humour and her irresponsible way of life".[2] Over the course of her career, Talmadge appeared in more than 80 films, often in comedies such as A Pair of Silk Stockings (1918), Happiness a la Mode (1919), Romance and Arabella (1919), Wedding Bells (1921), and The Primitive Lover (1922). Talmadge, along with her sisters, was heavily billed during her early career. According to her 1923 Blue Book of the Screen biography, she was "5'5" tall, 120 lbs, with blonde hair and brown eyes, ... an outdoor girl who loved activities."[3] When Talmadge was asked by a writer for Green Book magazine what sort of stories she wanted to do in 1920, she said:
With the advent of talkies in 1929, Talmadge left Hollywood. Her sister Norma did make a handful of appearances in talking films, but for the most part the three sisters retired all together, investing in real estate and other business ventures. Only a few of her films survive today.[1] Personal lifeShe was married four times; all the unions were childless:
Talmadge's mother fostered the belief she might one day return to films. "Success and fame cast a spell that can never been quite shaken off", her mother said in her autobiography. "A woman, because of her love, may say, and in the fervor of the moment believe, that she is ready to give up her chosen work. But there is sure to come a time when keen longing and strong regret for her lost career dominate over the more placid contentments of love and marriage. Then unhappiness and friction ensue."[citation needed] She died of pneumonia.[8] Along with her sister Norma, Mary Pickford, and Douglas Fairbanks, Talmadge inaugurated the tradition of placing her footprints in concrete outside Grauman's Chinese Theater. She left a trail of five footprints in her slab. Her star on the Hollywood Walk of Fame is at 6300 Hollywood Blvd. Filmography
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