Former bakehouse and attached outbuilding 10M northwest of manor house
Designated
25 October 1984
Reference no.
1047687
Location of Garsington Manor in Oxfordshire
Garsington Manor, in the village of Garsington, near Oxford, England, is a country house, dating from the 17th century. Its fame derives principally from its owner in the early 20th century, the "legendary Ottoline Morrell, who held court from 1915 to 1924".[1]
The manor house was built on land once owned by the son of the poet Geoffrey Chaucer, and at one time had the name "Chaucers".[2] It was constructed in the 1630s by a William Wyckham.[3] Lady Ottoline and her husband, Philip Morrell, bought the manor house in 1913, at which time it was in a state of disrepair, having been in use as a farmhouse. They paid £8,450.[4] Their moving in was delayed until May 1915, due to the continuing occupancy by the former tenants.[5]
Aldous Huxley spent some time at Garsington before he wrote Crome Yellow, a book which contains a caricature based on Ottoline for which she never forgave him. His pen portrait of her, written after their first meeting in 1915, summarises the aspects of her character which both attracted and repelled; "[She] is quite an incredible creature - arty beyond the dreams of avarice and a patroness of literature and the modern. She is intelligent, but her affectation is overwhelming".[17] Huxley was not the only one of Ottoline's friends to mock her in print.[18] Her affair with a stonemason Lionel Gomme, known as "Tiger", who worked on the statuary at Garsington, has been cited by some critics as the basis for Lawrence's portrayal of Lady Chatterley's affair with the gamekeeper, Mellors in his novel of 1928.[b][20][21] Lawrence portrayed her even more directly as Lady Hermione Roddice, in his novel Women in Love. The savagery of the depiction caused a decades-long breach in their friendship, and Philip Morrell threatened to sue Lawrence's publishers.[22]
In Confidence, a short story by Katherine Mansfield, portrays the "wits of Garsington" some four years before Crome Yellow.[23] Not everyone found the atmosphere congenial; the shy poet Cecil Day-Lewis, taken to Garsington by his tutor Maurice Bowra,[c] found it "a tremendous ordeal" and sought refuge "slinking gloomily amongst the peacocks" in the Italianate gardens.[25] Lytton Strachey complained that the constant coming and going of guests made work impossible: "I sit quivering among a surging mesh of pugs, peacocks, pianolas, and humans - if humans they can be called - the inhabitants of Circe's cave".[26]David Garnett, a writer, and lover of a number of Ottoline's guests, recorded his impressions of Garsington in his autobiography; "Ottoline's pack of pug dogs trotted everywhere and added to the Beardsley quality, which was one half of her natural taste. The characteristic of every house in which Ottoline lived was its smell and the smell of Garsington was stronger than that of Bedford Square. It reeked of the bowls of potpourri and orris root which stood on every mantelpiece, side table and window-sill and of the desiccated oranges, studded with cloves, which Ottoline loved making".[26]
The Morrells restored the house in the 1920s, working with the architect Philip Tilden, and creating landscaped Italian-style gardens.[27] The parterre has 24 square beds with Irish yews at the corners; the Italian garden has a large ornamental pool enclosed by yew hedges and set with statues. This was designed by Charles Edward Mallows;[28] beyond, is a wild garden, with lime-tree avenues, shrubs, a stream and pond. Financial difficulties forced the Morrells to sell Garsington in 1928. The house was subsequently bought by Sir John Wheeler-Bennett, the historian, who lived there until his death in 1975. It was sold in 1981 to Leonard Ingrams, a banker and brother of Richard.[29] Following Leonard Ingrams' death in 2012, the house was again sold.[30]
Architecture and description
The house is a rectangular structure, of two storeys with attics.[1] The building material is limestonerubble.[31] In his memoirs, True Remembrances-the memoirs of an architect, Philip Tilden recorded the unobtrusive style he sought to achieve at Garsington; "I doubt whether the present-day visitor could spot these alterations, they were made out of odd bits, and the workmanship was carried out by men of the old school".[d][33]
^Similarly generous hospitality was dispensed at the Morrell's London home, 44 Bedford Square.[14]
^Gomme died of a brain haemorrhage in the stables at Garsington two years after the start of their affair.[19]
^While guests at Garsington, Bowra read Eliot’s then unpublished manuscript of The Waste Land.[24]
^Despite its title, James Bettley, in his monograph on the architect, notes that Tilden's autobiography contains many falsehoods and is "highly unreliable".[32]
