Kelsey JonesHerbert Kelsey Jones (June 17, 1922 – October 10, 2004) was a Canadian composer,[1][2] pianist, harpsichordist, and music teacher.[3] Early lifeJones was born in South Norwalk, Norwalk, Connecticut; he grew up in Portland, Maine and moved to New Brunswick in 1945.[4] CareerIn 1950, as a young man, Jones founded the Saint John Symphony Orchestra, now known as Symphony New Brunswick,[5][6] and served as its conductor until 1953. Jones moved to Montreal, Quebec in 1954, where he became a member of the faculty of McGill University's Faculty of Music. He composed "Songs of Experience" for the Montreal Bach Choir in 1955.[7] He also performed as a solo pianist and duo pianist with his wife Rosabelle Jones (née Smith) from the early 1950s until an accident that rendered her paraplegic in 1974. At McGill Jones taught a variety of courses through the years, including History, Harpsichord and Piano, and Theory. he was best known as a teacher of Counterpoint (Modal, Tonal, Fugue & Canon). He became a Canadian citizen in 1956.[8] In Montreal, he was active as a teacher, performer and composer. He was a founding member of the Baroque Trio of Montreal, along with Mario Duschenes (flute) and Melvin Berman (oboe). He recorded with Jean-Pierre Rampal, Duschenes, and Kenneth Gilbert on their album project, The art of the Flute.[9] His work "Fantasy on a Theme" was first performed by the Kingston Symphony Orchestra in 1976.[10] Jones retired from McGill University in 1984 after which he was granted the title Emeritus Professor. CompositionsSome of Jones's compositions include: "Miramichi Ballad", "Sam Slick", Nonsense Songs (Five Limericks & The Table and the Chair (E. Lear)), "Four Pieces for Recorder Quartet", "Nonsense Songs", Prophecy of Micah, "Passacaglia and Fugue"[1] and Jazzum Opus Unum. References
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