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Neolatino Romance

Logo for the project Vía Neolatina.

Neolatino Romance, or simply called Neolatino, (Romance neolatino in Neolatin), is a pan-Romance language, that is, a codified linguistic variety based on the Romance languages.[1] It has been proposed as a standard language for the entire Romance family, and thus an auxiliary zonal constructed language enabling communication between speakers of different Romance languages.[2] The development of the language was intended as a linguistic innovation, not to serve any political or nationalistic ideology.[3]

Neolatino aims to be a hypothetical natural evolution of Vulgar Latin in a way most intuitive to native speakers of other Romance languages, thus staying true to the shared gramatical and structural nuances these languages have. This means that to an outsider of the Romance languages, Neolatino may not necessarily be the easier to learn than the rest of Romance languages, however, it aims to be as mutually intelligible as possible with all of them.

Introduction

Neolatino emerged as a standard language with a strictly Romance basis, unlike other similar language projects such as Interlingua.[4] Interlingua is an artificial language project, created by the International Auxiliary Language Association (IALA), whose objective was initially to evaluate existing artificial languages and make the necessary recommendations for the adoption of an artificial language as a common language between them.

Neolatino, on the other hand, is not based on any artificial language, instead it is made following criteria recommended by linguistic science. The main objective of Neolatino is not to promote the adoption of an auxiliary international language for the whole world, but to help the communication of "the various speakers of modern Latin (romance languages) through their own" (Martín Rincón, 2016).[5] Therefore unlike Interlingua, Neolatino does not use innovative principles, but is based on the codification theory developed by linguists such as Lamuela, Castellanos and Sumien. The essential development takes into account the entire existing romance linguistic system.[6]

The initial objective of the language is therefore to facilitate and also dignify pan-latin communication, which is why the project of this language, properly called Via Neolatina, aims to recover the original essence of the Latin or romance languages and their traditional standards. The language model presented is a synthesis of the romance variation that attempts to be representative of the romance as a whole: a new and common variety but at the same time natural and plural that allows its speakers to communicate throughout the Latin world. It is also a useful language for non-speakers of Latin languages as an easier way of accessing these languages.

There are several precedents for this pan-romance language, some of them codified in auxiliary languages. In 1947, André Schild created a language called Neolatin, and later, in 1948, a Portuguese linguist, João Campos Lima, proposed a language, International, with the goal of being an alternative to Esperanto for international communication. Later, in 2001, Richard Sorfleet and Josu Lavin created Interlingua Romanica and years later, Raymund Zacharias and Thiago Sanctus created Interromanic in 2017, also as proposals for pan-Latin communication. In 2010, a proposal by linguist Clayton Cardoso, Olivarianu, also appeared but as an artificial artistic language inserted within a fictional world.

Along with Neolatino, there are also other parallel projects in other European language families. Of them, the most advanced and developed, is Interslavic, of which the development began in 2006 with the name Slovianski, years before it adopted the current name of Interslavic. Later this project was merged with another similar project of a common Pan-Slavic language, New Slavic, promoted by the Czech linguist Vojtěch Merunka.

History

Celebration of the first Congress about Neolatino at University of Valencia (2022).

Conception

The language got started in 2006 by researcher of Romance languages Jordi Cassany Bates and was subsequently developed by a first small community, an international and interdisciplinary project called Vía Neolatina, which brings together linguists and other professionals from different Latin countries.

In 2019, a basic grammar (Grammatica Essentiale Neolatina) and dictionary (Dictionario Essentiale Neolatino) were published, which reformed some aspects of a preliminary model published in 2012.[7]

By January 2021, A Facebook group dedicated to learning Neolatino reached 700 followers, and the creation of dedicated groups in other websites followed, including a blog called Mondo Neolatino by Cassany, and Lo espàzio, by Martín Rincón, Neolatino is also briefly talked about in an article published by Global Academic Journal of Linguistics and Literature titled "The Environment of Language Creation from the Perspective of European Geopolitics: A Case Study of the Rise of Pan-nationalist Zonal Constructed Languages", which touches upon the emergence of zonal constructed languages, including pan-germanic and pan-slavic on top of pan-romantic.[8]

In 2022, with the support of multiple linguists, Vía Neolatina celebrates its first congress at University of Valencia.[9]

Phonology

The official neolatin phonology is composed of the most common phonemes found in modern Romance languages, minimizing the amount of new sounds a speaker of any other Romance language would need to learn.

Note that some sounds like /ɲ/ or /ʎ/ are not present in all modern Romance languages and speakers are allowed to pronounce them in other ways that can sound similar such as /nj/ and /lj/

Consonants
Labial Alveolar Palatal/

Post-alveolar

Velar
Nasal m n ɲ
Stop p b t d k ɡ
Affricate ts dz/z /ʒ
Fricative f v s ʃ
Aproximant w j (w)
Lateral l ʎ
Trill r
Flap ɾ
Vowels
Front Back
Closed i u
Mid-closed e o
Mid-open ɛ ɔ
Open a

Grammar

Alphabet

Neolatino uses the basic 26 letter Latin alphabet, although several letters (mainly K, W and Y) are only used in loan words.

Basic Alphabet
Letter Name Pronunciation Leter Name Pronunciation
A a A a N n Ènne n
B b Be b O o O o or ɔ*
C c Ce k before a, o, u

before e, i

P p Pe p
D d De d Q q Cu k
E e E e or ɛ* R r Èrre ɾ or r*
F f Èffe f S s Èsse s
G g Ge ɡ before a, o, u

before e, i

T t Te t
H h Hacca - U u U u
I i I i V v Ve v
J j Jota ~ʒ* W w Ve dople w
K k Ca k X x Ics ks
L l Èlle l Y y I grèca i or j
M m Èmme m Z z Zèta dz~z*
Other Graphemes
Letter(s) Pronunciation Letter(s) Pronunciation
À à a NÎ nî ɲ
CH ch k before e, i Ò ò ɔ
CÎ cî before a, o, u Ó ó o
È è ɛ QU qu kw*
É é e RR rr r
GH gh ɡ before e, i SÎ sî ʃ
GÎ gî before a, o, u TI ti tsj when followed

by another vowel

Í í i
LÎ lî ʎ Ú ú u

Notes:

  • Neolatino makes use of gemination, which lengthens the pronunciation of a consonant and is represented in written form by doubling it.
  • The letters e and o will be pronounced /e/ and /o/ respectively whenever they are not marked with a diacritic, or marked with an acute accent, but will be pronoucned as /ɛ/ and /ɔ/ whenever marked with a grave accent.
  • The letters j and z can be pronounced as affricates or as fricatives. The commonly accepted method is to pronounce them as fricatives (/z/, /ʒ/) whenever they are not geminated, and as affricates (/dz/, /dʒ/) when geminated.
  • The grapheme qu is meant to be pronounced /kw/ but with a couple of exceptions like the monosyllabic words ''que'' and ''qui'', where the u is silent.
  • The letter r should be pronounced /ɾ/ when appearing once between two vowels, and should be pronounced /r/ when appearing twice in a row or at the beginning of a word.
  • The letter î (i with circumflex accent) appears exclusively as part of the digraphs , , , , as a way of indicating the palatalization of the respective consonants.

Stress and Diacritics

In Neolatino, words can be oxytones (have their stress on their final syllable), paroxytones (have their stress on their penultimate syllable) or proparoxytones (have their stress on their antepenultimate syllable). And which group each word belongs in depends on spelling and the use of graphic accents. The grave accent is used in open vowels (à, è, ò) While the acute accent is used in closed vowels (é, í, ó, ú).

In terms of spelling affecting the stress, words can be divided into two groups:

  • Words ending in the letters a, e, i, n, o, s, t or u. By default words ending on these letters will be paroxitones. If this rule isn't broken then the stressed vowel does not need a graphic accent, otherwise the stressed vowel should be marked.
  • Words that do not end on the aforementioned letters are very rare, but by default they will be oxitones. Once again if this rule is broken the stressed vowel should be marked.

This means that:

  • Oxitone words are marked with a graphic accent if they end on a vowel or the consonants n, s or t.
  • Paroxitone words are marked with a graphic accent if they end on consonants excluding n, s or t.
  • Proparoxitone words are always marked.

Vocabulary

The vocabulary in Neolatino mainly takes from late Latin. However, in the event of discrepancies between Latin and modern Romance languages, giving the fact that all living Romance languages are more closely related amongst themselves than to Latin,[10] Neolatino favors the more widely spread modern vocabulary. It also favours any vocabulary of Romance origin over other linguistic families such as vocabulary of Germanic origin.

In any case, Neolatino looks at the morphological relations between Latin languages and applies a regular but naturalistic evolution, based on how modern Romance languages have evolved from Latin such as palatalization of consonants, or a vowel shift that abandons length distinction in favour of openness distinction.[11]

Comparisons of the different romance vowels
Neolatino Latin Portuguese Spanish Catalan French Italian Romanian
vino

cinque

vīnum

cīnque

vinho

cinco

vino

cinco

vi

cinc

vin

cinq

vino

cinque

vin

cinci

sete

secco

sĭtim

sĭccum

sede

seco

sed

seco

set

sec

soit

sec

sete

secco

sete

sec

parete

cresce

parētem

crēscim

parede

cresce

pared

crece

paret

creix

paroi

crt

parete

cresce

parete

crește

mèle

fèrro

mĕle

fĕrrum

mel

ferro

miel

hierro

mel

ferro

miel

fer

miele

ferro

miere

fier

mare

vacca

mare

vaccam

mar

vaca

mar

vaca

mar

vaca

mer

vache

mare

vacca

mare

vaccă

nòvo

còrno

nŏvum

cŏrnu

novo

corno

nuevo

cuerno

nou

corn

neuf

corne

nuovo

corno

nou

corn

flore

tocca

flōrem

tōccat

flor

toca

flor

toca

flor

toca

fleur

touche

flore

tocca

floare

toa

jóvene

bocca

iŭvenem

bŭcca

jovem

boca

joven

boca

jove

boca

jeuvem

bouche

giovane

bocca

june

bo

luna

fuste

lūnam

fūstem

lua

fuste

luna

fuste

lluna

fust

lune

fût

luna

fusto

lu

fuște

Notes

  1. ^ Specialists discuss the creation of a Romance estandard. Universidad de Valencia, 2022 ]
  2. ^ Neolatin can be learned and used as a Romance Esperanto or Latin Esperanto, and can be treated as a set of recommendations for altering any Romance language to facilitate communication with other Romance speakers. It also helps Romance speakers get a better understanding of texts written in any other Romance language. Omniglot entry
  3. ^ As evident in the above examples, pan-Romance international or zonal languages are less concerned with nationalistic appeals, whether simplified and cosmopolitan or zonal language schemes. None of them involve the ideological aspects inherent in the traditional sphere of linguistic influence and national expansionism. We can say that the Latin nature of pan-Romance artificial languages has limited their potential nationalist appeal, which is quite different from the pan-Germanic zonal constructed language and pan-Slavic language discussed below. Chiong Ek Lu (2021) en "The Environment of Language Creation from the Perspective of European Geopolitics: A Case Study of the Rise of Pan-nationalist Zonal Constructed Languages", en Global Academic Journal of Linguistics and Literature, Vol-3, Iss-6 pp-109-117.
  4. ^ Palmiotta, Michele (2019). "Neolatino Archived October 9th 2019 via Wayback Machine.". Langualog (7 Marcha 2019)
  5. ^ Almanac de Interlingua, núm. 85 (march 2016), page. 3
  6. ^ Almanac de Interlingua, núm. 85 (march 2016)
  7. ^ "Brief History of Neolatino Romance by Cassany Bates".
  8. ^ "The Environment of Language Creation from the Perspective of European Geopolitics: A Case Study of the Rise of Pan-nationalist Zonal Constructed Languages" (PDF). Global Academic Journal of Linguistics and Literature Article. 2021-12-14.
  9. ^ "Article from University of Valencia".
  10. ^ Kabatek, Johannes; Pusch, Claus D. "The Romance languages". The Languages and Linguistics of Europe: A Comprehensive Guide. If we look at the Romance languages from a morphological, syntactic or content-oriented synchronic perspective, there are several features common to all of them that justify the assumption of a more or less coherent Romance type different from Latin.
  11. ^ "Official Design Principles Document "Principios de Desegno de lo Romance Neolatino"" (PDF).
Prefix: a b c d e f g h i j k l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9

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