List of post-1950 jazz standards
Miles Davis played in Charlie Parker 's band during the bebop era and personally influenced the birth of cool jazz , modal jazz and jazz fusion . Standards composed by him include "Donna Lee " (1947), "Milestones " (1958) and "So What " (1959).
Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes tunes written in or after the 1950s that are considered standards by at least one major fake book publication or reference work.
Modal jazz recordings, such as Miles Davis 's Kind of Blue , became popular in the late 1950s. Popular modal standards include Davis's "All Blues " and "So What " (both 1959), John Coltrane 's "Impressions " (1963) and Herbie Hancock 's "Maiden Voyage " (1965). Later, Davis's "second great quintet", which included saxophonist Wayne Shorter and pianist Herbie Hancock, recorded a series of highly acclaimed albums in the mid-to-late 1960s. Standards from these sessions include Shorter's "Footprints " (1966) and Eddie Harris 's "Freedom Jazz Dance " (1966).
In Brazil , a new style of music called bossa nova evolved in the late 1950s. Based on Brazilian samba as well as jazz, bossa nova was championed by João Gilberto , Antonio Carlos Jobim and Luiz Bonfá . Gilberto and Stan Getz started a bossa nova craze in the United States with their 1963 album Getz/Gilberto . Among the genre's songs that are now considered standards are Bonfá's "Manhã de Carnaval " (1959), Marcos Valle 's "Summer Samba " (1966), and numerous Jobim songs, including "Desafinado " (1959), "The Girl from Ipanema " (1962) and "Corcovado " (1962).
The jazz fusion movement fused jazz with other musical styles, most famously funk and rock . Its golden age was from the late 1960s to the mid-1970s. Top fusion artists, such as Weather Report , Return to Forever , Herbie Hancock and the Mahavishnu Orchestra , achieved cross-over popularity, although public interest in the genre faded at the turn of the 1980s. Fusion's biggest hits, Hancock's "Chameleon " (1973) and Joe Zawinul 's "Birdland " (1977), have been covered numerous times thereafter and are sometimes considered modern jazz standards.
1950–54
Sonny Rollins played in Thelonious Monk 's and Miles Davis 's bands in the 1950s before starting a successful solo career. With Davis, he composed the standards "Airegin ", "Doxy " and "Oleo ".
1955–59
1960–64
Herbie Hancock emerged as an influential pianist in the 1960s both as a leader and as part of Miles Davis 's "second great quintet". Later he became one of the most popular jazz fusion artists. Standards composed by him include "Watermelon Man " (1963), "Cantaloupe Island " (1964), "Maiden Voyage " (1965) and "Chameleon " (1973).
1965–69
Wayne Shorter 's compositions that have become standards include "Mahjong " (1964), "Speak No Evil " (1965) and "Footprints " (1966).
1970s and beyond
Notes
^ a b c d e f g h i j k l m n o p q r s t u v w Listed in New Real Book, Volume I
^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab Listed in The Real Vocal Book
^ If I Were a Bell at jazzstandards.com , retrieved on April 29, 2009
^ The Real Book, Volume II , p. 194
^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa Listed in The Real Jazz Book
^ Au Privave at jazzstandards.com , retrieved on April 29, 2009
^ The Real Book, Volume I , p. 37
^ The Real Book, Volume I , p. 55
^ The New Real Book, Volume II , p. 26
^ Night Train at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 304
^ Straight No Chaser at jazzstandards.com , retrieved on April 24, 2009
^ The Real Book, Volume I , p. 386
^ Bag's Groove at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume II , p. 30
^ Lullaby of Birdland at jazzstandards.com , retrieved on April 29, 2009
^ The Real Book, Volume I , p. 256
^ My One and Only Love at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 288
^ That's All at jazzstandards.com , retrieved on February 20, 2009
^ The New Real Book, Volume II , p. 363
^ When I Fall in Love at jazzstandards.com , retrieved on April 29, 2009
^ The Real Book, Volume I , p. 439
^ Here's That Rainy Day at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 175
^ Jordu at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 227
^ The New Real Book, Volume II , p. 175
^ The Real Book (6th ed.). Milwaukee, WI: Hal Leonard Pub. Corp. 2004. p. 273. ISBN 978-0634060380 .
^ Satin Doll at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 349
^ Airegin at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 13
^ All of You at jazzstandards.com , retrieved on May 7, 2009
^ The Real Book, Volume I , p. 21
^ Blue Monk at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 52
^ Django at jazzstandards.com retrieved on September 7, 2018
^ The Real Book, Volume I , p. 120
^ Doxy at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume II , p. 111
^ Fly Me to the Moon (in Other Words) at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume II , p. 135
^ The New Real Book, Volume II , p. 106
^ Four at jazzstandards.com , retrieved on April 29, 2009
^ The Real Book, Volume I , p. 149
^ Joy Spring at jazzstandards.com , retrieved on April 29, 2009
^ The Real Book, Volume I , p. 229
^ Misty at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 277
^ Oleo at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 309
^ Solar at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 363
^ In Your Own Sweet Way at jazzstandards.com , retrieved on August 7, 2020
^ Canadian Sunset at jazzstandards.com , retrieved on February 20, 2009
^ Con Alma at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 84
^ Nica's Dream at jazzstandards.com , retrieved on April 29, 2009
^ The Real Book, Volume I , p. 299
^ The New Real Book, Volume II , p. 255
^ St. Thomas at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume II , p. 339
^ Waltz for Debby at jazzstandards.com , retrieved on April 29, 2009
^ The Real Book, Volume I , p. 432
^ The New Real Book, Volume II
^ Whisper Not at jazzstandards.com , retrieved on August 31, 2018
^ The Real Book, Volume II
^ The Real Book, Volume I , p. 54
^ I Remember Clifford at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 192
^ Ratliff, Ben (December 06, 2002) "Mal Waldron, 77, Composer Of the Jazz Ballad 'Soul Eyes'" New York Times
^ The Real Book, Volume I , p. 74
^ Milestones at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume III , p. 277
^ Morrison, Nick (October 13, 2009) "Art Blakey: Jazz Messenger, Jazz Mentor" npr music. Accessed July 31, 2013.
^ "Vishnu" . Amazon UK .
^ Afro Blue at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 11
^ All Blues at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 18
^ The Best Is Yet to Come at jazzstandards.com , retrieved on February 20, 2009
^ Blue in Green at jazzstandards.com , retrieved on April 29, 2009
^ The Real Book, Volume I , p. 51
^ See page 20 of the Fall 1993 issue of Letter from Evans (http://www2.selu.edu/orgs/34skid/html/23.pdf ) where Earl Zindars says "I know that it is [100-percent Bill's] because he wrote it over at my pad where I was staying in East Harlem, 5th floor walkup, and he stayed until 3 o'clock in the morning playing these six bars over and over."
^ https://www.npr.org/2010/10/08/92185496/bill-evans-on-piano-jazz 35m30s, On being asked about the issue by the interviewer (Marian McPartland), Evans said "The truth is I did [write the music]... I don't want to make a federal case out of it, the music exists, and Miles is getting the royalties"
^ Desafinado at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 108
^ The Real Book, Volume I , p. 151
^ Giant Steps at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 157
^ The New Real Book, Volume II , p. 121
^ Goodbye Pork Pie Hat at jazzstandards.com , retrieved on April 24, 2009
^ A Felicidade at jazzstandards.com , retrieved on February 20, 2009
^ Killer Joe at jazzstandards.com , retrieved on April 29, 2009
^ The Real Book, Volume II , p. 229
^ The New Real Book, Volume II , p. 179
^ The Real Book, Volume I , p. 49
^ The Real Book, Volume I , p. 276
^ My Favorite Things at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 285
^ Naima at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 293
^ The New Real Book, Volume II , p. 238
^ The Real Book, Volume I , p. 306
^ Sidewinder at jazzstandards.com , retrieved on April 29, 2009
^ The Real Book, Volume I , p. 355
^ So What at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 364
^ Take Five at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 397
^ At the Half Note Cafe
^ Impressions at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 205
^ The New Real Book, Volume II , p. 154
^ Once I Loved at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 311
^ One Note Samba at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 314
^ Stolen Moments at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 384
^ Corcovado (Quiet Nights of Quiet Stars) at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 335
^ Days of Wine and Roses at jazzstandards.com , retrieved on February 20, 2009
^ Meditation at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 266
^ The Real Book, Volume I , p. 425
^ The Real Book, Volume I , p. 50
^ The Real Book, Volume I , p. 56
^ The Girl from Ipanema at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 158
^ How Insensitive at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 181
^ The Real Book, Volume I , p. 204
^ The Real Book, Volume II , p. 305
^ The Real Book, Volume I , p. 337
^ The Real Book, Volume III , p. 360
^ The Real Book, Volume I , p. 14
^ Watermelon Man at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume III , p. 429
^ The Real Book, Volume II , p. 76
^ The Real Book, Volume I , p. 214
^ The New Real Book, Volume III , p. 177
^ The Real Book, Volume I , p. 230
^ The Real Book, Volume I , p. 260
^ The New Real Book, Volume II , p. 196
^ The Real Book, Volume I , p. 373
^ The New Real Book, Volume II , p. 335
^ The Real Book, Volume I , p. 72
^ The New Real Book, Volume III , p. 76
^ Dindi at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume II , p. 105
^ Dolphin Dance at jazzstandards.com , retrieved on April 29, 2009
^ The Real Book, Volume I , p. 119
^ The New Real Book, Volume III , p. 108
^ The Real Book, Volume I , p. 135
^ The New Real Book, Volume III , p. 128
^ The Real Book, Volume II , p. 150
^ The Real Book, Volume I , p. 261
^ The New Real Book, Volume III , p. 229
^ Rosenthal 1993, p. 68
^ The Real Book, Volume I , p. 378
^ Footprints at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 144
^ The Real Book, Volume I , p. 264
^ The New Real Book, Volume III , p. 215
^ The Real Book, Volume II , p. 262
^ The Real Book, Volume I , p. 362
^ The Real Book, Volume I , p. 152
^ The New Real Book, Volume II , p. 110
^ The Real Book, Volume II , p. 244
^ Triste at jazzstandards.com , retrieved on February 20, 2009
^ The Real Book, Volume I , p. 417
^ The Real Book, Volume I , p. 431
^ The Real Book, Volume I , p. 466
^ The New Real Book, Volume II , p. 432
^ The Real Book, Volume I , p. 338
^ The Real Book, Volume I , p. 254
^ The New Real Book, Volume II , p. 339
^ The Real Book, Volume I , p. 100
^ The Real Book, Volume II , p. 79
^ The Real Book, Volume II , p. 268
^ Send in the Clowns Archived 2012-03-06 at the Wayback Machine at jazzstandards.com , retrieved on February 20 * 1974–2009
^ The Real Book, Volume I , p. 41
^ The New Real Book, Volume II , p. 20
^ http://www.jazzstandards.com/compositions-6/thepeacocks.htm at jazzstandards.com
^ The Real Book, Volume II , p. 46
^ 8:30 review on Allmusic , retrieved on March 27, 2009
Bibliography
Reference works
Rosenthal, David H. (1993). Hard Bop: Jazz and black music 1955–1965 . Oxford University Press US. ISBN 0-19-508556-6 .
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